نوع مقاله : مقاله پژوهشی
نویسنده
پژوهشگر ادبی
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
Classification and analysis of why types and genres of Persian poetry is one of the important literary debates. Unfortunately, the field of poetry of the seventies, which had the most influential contemporary poetic currents; It has been abandoned in this regard. In the seventies of Iran, we see the simultaneous presence of three independent branches of Americanists, Europeanists and return avant-garde with different origins, each of which has played an important role in guiding the intellectuals and poets of the seventies and later periods.
The Americans announced their presence in Iran with Reza Braheni and the postmodern movement. Braheni's "Poetry of Language", Ali Babachahi's "Pasanimai" and the students of Brahen's workshop, as well as Mohammad Azram's "Different" poetry in the eighties are in this group. Europeanists were active in this period with two branches of lyricism and free poetry. In the lyric branch with Simin Behbahani, the founder of "New Ghazal", "Ghazal Dastan" and "Ghazal Narrative" and also the flow of Simin Behbahani's students in "Ghazal Form" with Mohammad Saeed Mirzaei, Arash Azarpik, Hooman Azizi, Amir Marzban and ..., In free poetry, the flow of "movement poetry" of Abolfazl Pasha is a follower of the Baroque school in this group. Returning avant-gardeists came to the fore with its founder, Arash Azarpik, with the beginning of the era of nudism and the proclamation of the millennium of nudism in the history of thought. The result of Arash Azarpik's attitude is a variety of genres, including "Vajaneh",
کلیدواژهها [English]
کتابها