“Scientific and Specialized Journal of Modern Literary Research”

“Scientific and Specialized Journal of Modern Literary Research”

The trace and the presence of music and musical instruments in the life and works of Fereydoun Moshiri

Document Type : Original Article

Author
PhD in Persian Language and Literature, Lecturer, Shahid Bahonar Campus, Farhangian University, Isfahan, Iran.
Abstract
This article examines the role of music and musical instruments in the life and works of Fereydoun Moshiri, a contemporary Iranian poet. Music and poetry have always had an inseparable bond throughout history, and Moshiri, as a poet whose poems are full of emotion and simplicity, has used music as a source of inspiration and an integral part of his artistic worldview. By analyzing Moshiri's poems, this research examines the effect of musical instruments on his poetic space and the symbolic reflection of these instruments in his poems. Musical instruments such as strings, harps and drums are used in Moshiri's poems not only as symbols of Iranian culture and art, but also as a means of conveying deep emotional and philosophical feelings. This article shows how Moshiri, using music and its instruments, creates a poetic atmosphere and expresses human emotions beautifully. Also, this research seeks to answer the question of how musical instruments are used to express deep concepts in Moshiri's poems.
Keywords
Subjects

Amoli, Shams al-Din Mohammad bin Mahmoud (1954), Nafais al-Fanun, Tehran: Islamia.
Ebrahim Tabar, Ebrahim, Ahmad Ghanipour Malekshah, Sepideh Zeigham (2010), “Reflection of Musical Terms and Instruments in Shams’ Ghazals”, Persian Language and Literature Research Conference, pp. 1-16
Ahmadi, Babak (2010), Musicology (Analytical Dictionary of Concepts), Tehran: Markaz.
Atrai, Arfa (1980), Iranian Music Culture, Tehran: Chang.
Atrai, Arfa and Mohammad Reza Darvishi (2010), Iranian Instrumentology, Tehran: Iranian Textbook Publishing Company.
Jafarinejad, Keyvan and Sarvin Hazin (1974), Fundamentals of Music, Tehran: Karnameh Kitab.
Haddadi, Nosratollah (2017), Iranian Music Dictionary, Tehran, Totia.
Khayyam, Masoud (1956), The Meadow on the Grass or Khayyam and Songs (Life and Poems of the Hakim Omar Khayyam Neyshaburi), Tehran: Arash.
Dehkhoda, Ali Akbar (1958), Dictionary, Volume 4, Tehran: Dehkhoda Dictionary Foundation and Rozena Publishing.
Zarrinkoob, Hamid (1979), The Eye of Modern Persian Poetry, Tehran: Toos and Tehran University.
Sedifi, Mohammad Mehdi (1991), Understanding and Using Music on Radio, Tehran: Tarh Aayandeh.
Abdolmomen bin Safi al-Din (1967), The Musical Treatise of Bahjat al-Ruh, Tehran: Farhang Iran.
Moeen, Mohammad (1938), Farhang Moeen, compiled by Azizollah Alizadeh, Tehran, Adena.
Mohammadi Amoli (1933), Taraneh Abi Zendige (A Study of the Social and Literary Life of Fereydoun Moshiri), Tehran: Negah.
Mansouri, Parviz (1969), "Exploration in the Realm of Iranian Music", Music Magazine, Issue 123, pp. 17-1
Mashiri, Fereydoun (1980), Reflection of the Soul of the Morning: A Comprehensive Guide to Poems, Tehran: Cheshme.
Nafri, Bahram (1998), Comprehensive Information on Music, Tehran: Marlik.
Gulpinarli, Abdolbaqi (2007), Rumi after Rumi, translated by Tofigh Sobhani, Tehran: Alam.
Mary Boyce and Henry George Farmer (1999), Singing and Music of Iran, translated by Behzad Bashi, Tehran: Agah.
Mamghanieh, Roiin (1993), "A Review of the History of Multi-Sound in Iran", Andisheh Magazine, Volume 7, Issue 7, pp. 28-42