عنوان مقاله [English]
Music and weight is one of the areas of the word that has been expressed and developed by emphasizing the essence of speech, writing and meaning, although the main emphasis is on the essence of phonetic-speech. Weight and music were written according to classical ghazal until Nima revolution. But with Nima's revolution and Simin Behbahani's movement in contemporary ghazal, the prosaic weight and music of ghazal also underwent changes. The current article has been compiled and edited with the general aim of investigating the level of innovation, appropriation and combination of prosody in contemporary ghazal based on the music of Arash Azarpik's poetry. Considering that none of the post-Siminian poets have innovated in the weight of prosody and music; and have often benefited from brook weights, Arash Azarpik is one of the successors of Simin's path. He has often composed ghazals in his innovative weights and has also started to innovate.In this article, the widely used, innovative and classic weights that will be identified and mentioned; has been analyzed. In the end, according to the evidence, we come to the conclusion that Azarpik is one of the few post-Seminian ghazal poets who is creative and innovative in the field of ghazal weight and music.