عنوان مقاله [English]
Minimalism is one of the manifestations of modernism in the world that has penetrated into and has taken over areas of literature. For example, in Iranian literature in the seventies, several genres were formed including minimal stories, minimal poems, minimal Ghazal, Vazhaneh, and so on. The common denominator of these genres is that they are extremely minimalist. If in the eighties, with the advent of minimal Ghazal, Vazhaneh genre and the synergy of the two, a different genre of Ghazal called " Ghazalvazheh" was formed by Hengameh Ahura, which caused formal, structural, content and linguistic changes. Therefore, it can be said that Ghazal in the eighties were not safe from the influence of modernism. In this descriptive-analytical study, after introducing minimalism and minimal Ghazal and Vazhaneh genre, we examined in detail the effect of minimalism on Ghazal and came to the conclusion that Ghazalvazheh, has gone beyond being sentence-centered and has severely marginalized the healthy and even broken grammar of the grammar. Also, the structure of Ghazal is influenced by the word-citizen attitude, which is one of the manifestations of modernism transcends the “Shah beyt” in classic Ghazal and even the narration in the modern Ghazal (Ghazal-narration) and each word is a narration that ultimately organizes the narration of the Ghazal. Ghazal also follows a kind of mental form and Vazhaneh logic. During this article, the language, structure and content of this type of Ghazal will be examined in detail.