At the beginning of the 1380s, Arash Azarpeyk, in the book “Jens-e-Sevom” (means "The Third Genus"), broke all the limitations of poetic and fictional poetry for the first time by introducing the “Fara-Poetry " Genre. The existence of a concrete system, changing the path of literary method to literary truth by adopting direct communication, going forward and reaching the third genus and word-character are the components that brought a new discovery to the fore in the field of Iranian and world literature. By creating an extraordinary platform and by synergizing the fields of attitude and writing, Fara-Poetry is able to invite all poetic formats and systems of Iranian literature, including Classical, Nimaie, Sepid, Azad, etc., together to a peaceful viewpoint. And also, Fara-Poetry without negating or disparaging other literary genres such as plays, screenplays, dialogues, monologues... eagerly and unconditionally accepts them and reveals to the reader a manifestation of the endless existence of the word. This research, using the descriptive and analytical method, seeks to express the fact that "Fara-Poetry" as a main genre is so powerful that writers in the field of literature and art can create a pristine works without any restrictions And by freeing oneself from "considering the word as a tool," it can, unlike other styles and schools, pass through all the poetry-oriented and story-oriented systems and move towards being word-oriented in the world of poetry, which means the universal authority of the word (Logos) and by a sublime pen and art, introduces him/herself to the world of literature and art.