The present study, with an interdisciplinary approach, explores the deep and meaningful connection between Edmund Husserl’s transcendental phenomenology and Parvin E'tesami’s poetry and attempts to reveal the hidden and meaningful relationship between the realm of thought and language in Parvin E'tesami’s poetry. Parvin’s Divan is more than a collection of moral teachings; it is the linguistic formulation of a lived and reflective consciousness. The main issue of this article is to explain how to transition from concrete and everyday experience to the realm of essential intuition in poetic language. In this framework, Parvin, by utilizing symbolic debates, dialectical allegories, and question-oriented structures, suspends habitual prejudices and, through a kind of poetic epoche, provides the possibility of directly seeing the truth of phenomena. The present analysis, focusing on components such as intentionality, bioworld, time awareness, and the suspension of presuppositions, shows that Parvin's poetry possesses a kind of moral phenomenology; a phenomenology in which suffering, poverty, death, and impermanence, beyond literary motifs, are a perspective and a window for discovering the essence of human experience. The findings indicate that Parvin, by penetrating the hidden layers of consciousness and representing the relationship between the subject and the world in the context of language, elevates Persian poetry to a level beyond the art of expression and brings it closer to a range of lived thought and philosophical reflection. In this way, her poetry, as a living and conscious text, offers the reader the possibility of a new understanding of man, the world, and