Hafez is one of the most pious and prominent figures of Persian poetry and literature, who in his precious and precious Divan of Ghazals, has mentioned a lot of crying and tears and has revealed hundreds of hidden images and forms from hidden curtains. In his poems, he describes his own state and tells the story of his soul. So, the eyes inevitably speak and, with the shedding of tears, they express the poet's astonishment and confusion with a speechless tongue. However, all kinds of burning and melting, needs, prayers, joys, sorrows and mourning are directly related to Hafez's cries, and it is such that the distance between the "bottom to the top" of his spirituality has different values. This research was conducted using the method of description and analysis, as well as library tools and resources, and it has identified, defined, explained, and categorized crying and its states and reasons for its creation and intensification in the interval between the two levels of the abyss and the peak of spirituality in Hafez's Ghazals. The results obtained show that crying and the flow of tears in Hafez's poems, when it is due to despair and hopelessness, supplication and soul wound, helplessness and heartbreak, the ultimate decline and inner weakness, as well as surrender to the times and being caught in the purgatory of exile and sorrow of separation, it is as if the poet is at the abyss of sorrow and crying.